|
| |
|
| |
|
|
Tendence současné architektury ve strukturálním pojetí díla
Kuda, Daniel
Architecture is evolving like any other industry, and because architectural work is the synthesis of science and art, the key role in its development is played by new technologies, processes and materials as well as the contemporary concept of space, the ideals of beauty and the spirit of the times. Progressive architectural works often depend only on the architect’s sense of the tangible and intangible parts of the design and ability to harmonize them. When analyzing the structure and architectural space of these structures, it is possible to trace certain directions, which then develop further while the basic principle remains preserved. This paper is concerned with “gridshell” structures whose support systems are wood-based. From the results we can deduce some basic features characteristic of the material, and then predict future development and design new spatial and structural forms.
|
|
| |
|
|
Konstrukce a architektonický prostor
Kuda, Daniel
The architectural work is the synthesis of three fundamental determinants: space, form, and matter that interact with one another. The current modern architecture is based on the design of space, where the design is based on different rules than the structural ones. In the space-matter-form relationship, the resulting space should be greatly influenced by the choice of material (matter) and consequently of the structural system (form). For the analysis of internal architectural space, I chose buildings that were structurally new at the time of their creation. These buildings use only one main material to create space, from which the construction system comes out. The results of the analysis show the importance of the spatial aspect of the structural system and indicate the natural design of each material.
|
|
|
Phenomenological conception of architecture of Christian Norberg-Schulz
Horáková, Tereza ; Ševčík, Miloš (advisor) ; Dadejík, Ondřej (referee)
The aim of the thesis is to present the theory of Norwegian theorist of architecture Christian Norberg-Schulz. The thesis focuses on the development of his mindset from analytical approach to the phenomenologically based premises. Norberg-Schulz's phenomenological conception, which was significantly influenced by philosopher Martin Heidegger, represents an innovative way of perceiving the field of architecture. Hence the space gains an existential dimension for Norberg-Schulz. The existential dimension along with the conception of specific place is the crucial concern of Norberg-Schulz's phenomenology of architecture. The thesis deals with this main Norberg-Schulz's conception of human spatiality and in conclusion confronts it with the situation of the contemporary architecture.
|
guest ::
